Content goes stale
Updates need a site visit, so they wait. The screens drift away from the design and the price sheet.
"We spent a fortune on the sales centre, and within a month the big screen was showing the old kitchen. The agents started turning it off before buyers walked in." Every sales manager has a version of that story. The display suite is built once, for opening weekend, and then the project keeps moving: finishes change, homes sell, a phase is added. Content on the screens needs someone to drive to site with a USB stick, so it doesn't get updated.
A sales gallery earns its space only if it stays current and the agent can drive it without thinking. When the screens show one thing, the price sheet another and the agent's tablet a third, the buyer notices, and the room stops helping your team close.
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| Screen | Best for | Plan for |
|---|---|---|
| Touchscreen masterplan | Showing the site, phases and what's left, with the buyer's hands on it | Placement where a small group can stand around it, and content large enough to read at arm's length |
| Agent presenter on a TV | A seated conversation, agent driving, buyer watching | Sightlines from the seats, glare from windows, and a clear way for the agent to control it |
| Dual screen | Agent controls on one screen while the buyer sees a clean view on the other | Which screen faces the buyer, and keeping pricing notes off the buyer's side |
| Self-serve kiosk | Busy weekends and walk-ins while agents are with other buyers | A simple start screen, and what happens when someone walks away mid-session |
Agents use it to tell the project's story in the same order every time, then drop into the one home the buyer cares about. Buyers use the masterplan and the kiosk to explore on their own while they wait. The sales manager needs every screen showing the current release and every agent working from the same status. The developer needs the room to match what was approved and what is in the disclosure material.
The content comes from the same scene as your web tour and renderings. A buyer who explored at home sees the same building in the sales centre, and nothing is redrawn.
We spec the screens and computers to the space and the content. A trusted installation partner sets them up to our specs. You deal with us.
Each screen and computer is registered in your StudioLink assets, with its health visible to you and to us.
When a new gallery set is approved or a phase is added, the content updates from StudioLink, with no site visit.
If a screen misbehaves on a Saturday, we can see it and fix most things remotely.
Updates need a site visit, so they wait. The screens drift away from the design and the price sheet.
Nobody knows who to call, and the busiest day of the year runs on printed boards.
Every device sits in your StudioLink assets with its health visible. We see it too, and fix most things remotely.
One firm made the content, another sold the screens, a third installed them. When it breaks, each points at the others.
You deal with us. We spec the hardware and work with our installation partner.
The masterplan shows a home as available that the agent knows is on hold.
Screens placed and sized to suit the display suite, not bolted on after.
Finish selections that match what the 360s show.
Finishes are reviewed on the image in StudioLink before content is released, so the suite and the screen agree.
Every screen current, and one place to report a problem.
Release order and holds, as they happen.
Status comes from one inventory, and devices are visible in StudioLink assets.
The same imagery in the room as in the campaign.
Brand and messaging that fit the screen formats.
Everyone draws on one approved library, so the billboard and the touchscreen show the same building. See branding.
Clear specs and mounting positions.
A room ready on the agreed date.
We hold the spec and coordinate the partner, so you have one point of contact.
We spec it to the project and work with a trusted installation partner, who sets it up to our specs. You deal with us.
Every screen is in your StudioLink assets. You can see its health, and we can see it too and fix most things remotely.
Plan them with the display suite layout, not after it. Screen positions affect millwork, power and data. Our presale launch timeline shows where it fits.
Yes. Both come from the same 3D scene and approved library, so buyers see the same building at home and in the sales centre.
We spec it to the project and our installation partner sets it up to our specs. Ownership and supply are set out in your scope before we start.
From StudioLink. When a new set is approved or a phase is added, the screens update without a site visit.
Each device is registered in your StudioLink assets with its health visible. We can see it too and fix most things remotely.
Yes, in kiosk mode. It's useful on busy weekends when agents are with other buyers.
The same experience runs as a web tour, so buyers can keep exploring at home.